Mohammed Yusuf Khan, best known by his stage name Dilip Kumar, was indeed a Hindi film actor and producer. He has indeed been recognised as among the most successful movie stars inside the business and is recognized for introducing a distinct type of method acting to the cinema. He has indeed been referred to it as the “Tragedy King” because his depiction of severe parts and retroactively as “The First Khan” of Bollywood. Kumar holds the world record in the most Filmfare Awards for Best Actor victories, as well as being the first recipient of both the award; he has won three Filmfare Awards inside a row.
Kumar appeared in approximately 65 movies during the course of his five-decade career, playing a range of characters. Inside the movie Jwar Bhata, produced by Bombay Talkies, he made his acting debut. After a string of failures, he achieved his first box office success with Jugnu (1947).
Kumar’s subsequent films included the romantic Andaz (1949), the swashbuckling Aan (1952), the social drama Daag (1952), the dramatic Devdas (1955), the comical Azaad (1955), the romantic social Naya Daur (1957), the noir mystery Madhumati (1958), the comedy-drama Paigham (1959), the epic historical Mughal-E-Azam (1960), the social dacoit crime drama Gunga Jumna.
Both Andaz and Aan temporarily held the record for the highest-grossing Indian film at the time, a record that was eventually broken by Mughal-e-Azam, which held the record for 15 years. When adjusted for inflation, the latter remains the highest-grossing film in India as of 2021.
Kumar’s career took a turn in the 1970s, with three consecutive commercial flops, Dastaan, Sagina (1974), and Bairaag. He had a five-year vacation from acting in films before returning in 1976 with the revolutionary drama Kranti, which was the year’s highest-grossing Indian picture. In films like Shakti (1982), Karma, and Saudagar, he continued to portray prominent parts.