Teesri Kasam is indeed a movie directed by Basu Bhattacharya as well as produced by lyricist Shailendra that was released in 1966 in Bollywood. It is inspired just by Hindi author Phanishwarnath Renu’s short work Mare Gaye Gulfam. Raj Kapoor and Waheeda Rehman appear in the movie. The movie’s soundtrack was composed by the pair Shankar-Jaikishan. Subrata Mitra shot the movie’s cinematography. Phanishwarnath Renu wrote the lines, while Nabendu Ghosh wrote the script.
Teesri Kasam is an out-of-the-box movie that depicts rural Indian life. It tells the narrative of Hiraman, a naïve bullock cart driver that finds love with Hirabai, a nautanki dancer. The video also addresses the problem of women’s exploitation within acting, particularly in touring folk theatre. Despite its dismal box office performance, the picture received the National Film Award for Best Feature Film there at 14th National Film Awards.
Synopsis of the movie, Hiraman swears to himself that he would never help a black marketeer or smuggle bamboo then after being caught. He lost his bullock waggon inside this event, although he was able to beget his two oxen away over time. He saves sufficient money to purchase a cart and therefore is hired to drive a girl to a Mela for 30 hours. He then discovers that his traveller is a gorgeous woman named Hira Bai, with whom he falls in love despite the fact that she is a travelling prostitute, rather it is the infatuation that would land them in a violent fight including in Thakur Vikram Singh’s bad books.
Hiraman (Raj Kapoor) is a rustic peasant of Bihar who works as a bullock cart driver. Hiraman makes two vows in response to adversity throughout his life. Hirabai, a nautanki dancer, is the next person he meets as well as befriends. Hiraman makes the third vow towards the conclusion.
Hiraman’s ideals are conventional and conservative. Hiraman made a promise to never transport illicit items again when sneaking them on his bullock waggon and narrowly avoiding the cops. Hiraman’s load disturbs the horses of two men while hauling bamboo for a wood dealer. Hiraman was then beaten by the two guys.
Hiraman is requested to transport Hirabai (Waheeda Rehman), a nautanki dancer, to a rural fair forty miles distant one night. Hiraman sings to pass time while they journey together again and recounts Hirabai the narrative of the Mahua mythology. Hirabai is fascinated by Hiraman’s purity and simple perspective of life as that of the voyage proceeds. Hiraman regards Hirabai as a pure angel.
Hiraman meets his gang of bullock-cart drivers and Hirabai joined the nautanki group when they arrive at the local fair. Hirabai invites Hiraman to watch her perform at the local fair for several days.
Hiraman gets aware that many people regard Hirabai as just a prostitute when he visits a nautanki, which bothers him. He makes an effort to shield as well as protect them from the outside world. The relationship between Hirabai and Hiraman gets stronger as time passes. Hirabai attempts to persuade Hiraman that this is the hard reality of her existence when he gets into confrontations with locals who criticise Hirabai and her work. Hiraman advises Hirabai to quit her job and start living a more respectable life. Hirabai is adamant about not leaving. Hiraman departs the county fair dejected and goes to their home village.
Hirabai sees Hiraman as well as reveals to them her secrets of being sold for not being a virgin beauty before departing. Hiraman then makes a third promise (teesri Kasam) to never ever transport a nautanki dance on his wagon.