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Saiyami Kher takes a break from her shoot schedule, heads to Nashik to prep for her second Ironman 70.3 Triathlon set to take place in Sweden

by Ratan Srivastava
written by Ratan Srivastava

Actress and athlete Saiyami Kher has taken a break from the bustle of Mumbai and the demands of her shooting schedule and has taken off to Nashik, where she has begun focused training for her upcoming Ironman Triathlon — considered one of the toughest endurance races in the world. This marks her second consecutive year participating in the international challenge, post her historic win in 2024 when she completed the half marathon.

Known for her disciplined lifestyle and deep commitment to fitness, Saiyami believes Nashik, her hometown, offers the perfect combination of peace and geography for focused preparation.

Speaking about her return to Nashik and her journey ahead, Saiyami shared, “I have been shooting on a new South film that’s yet to be announced and was on cricbuzz for the IPL, I needed a break..not to rest, but to go all in on my Ironman prep. My next Ironman 70.3, the European Championship in Sweden is less than 2 months away, I knew this race was going to be way tougher than my last one. The elevation, the course.. it’s a different beast. Coming to Nasik has been such an eye-opener. Swimming in the lake, cycling on those hills, running long, it’s shown me just how much harder I need to train. I’ve been putting in 4+ hours a day, and it’s been intense but so worth it. I wanted to do another half Ironman before dreaming of the full one. Keeping my fingers crossed :)”

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ExclusiveFeaturedMovies

Bhool Chuk Maaf Makers Accused of Skipping Theatrical Release to Hide Poor Ticket Sales

by Ratan Srivastava
written by Ratan Srivastava

In a shocking twist, Maddock Films’ latest offering Bhool Chuk Maaf, starring Rajkummar Rao and Wamiqa Gabbi, has landed in hot water after its last-minute withdrawal from theatrical release. What was originally set to be a big-screen debut turned into a sudden OTT-only drop, a move that now has major consequences.

As we know, PVR has filed a ₹60 crore lawsuit against Maddock Films for abruptly cancelling the film’s release just a day before it was scheduled to hit cinemas. Speaking with Team Movified, renowned trade analyst Giresh Wankhede stated, “This eleventh-hour decision not only caused massive losses to exhibitors, but is also being seen as a deliberate tactic to avoid disclosing poor ticket bookings and expected low box office footfalls.”

Giresh further reveal that “Bhool Chuk Maaf was facing an underwhelming response in pre-sales, with buzz around the film fizzling out. Rather than face a weak opening and report unimpressive box office numbers, Maddock Films allegedly seized the moment, citing heightened India-Pakistan tensions to skip cinemas entirely and release directly on streaming platforms.”

Industry experts argue that the timing of the cancellation was not just unprofessional but financially damaging. With all contracts signed and shows lined up across the country, PVR Inox claims this breach of agreement left them with unrecoverable losses.

With the case now in Bombay High Court, the controversy has opened up a wider debate on the accountability of production houses and the growing trend of dodging box office scrutiny through last-minute OTT pivots.

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FeaturedMoviesNews

Sunny Deol Puts ‘Lahore 1947’ Patchwork Shoot on Hold Amid Geopolitical Concerns, prioritises Border 2

by Ratan Srivastava
written by Ratan Srivastava

Sunny Deol, who plays a pivotal role in the much-anticipated film Lahore 1947, has reportedly delayed the remaining patchwork shoot of the film, which spans around 15 days. While the actor is said to be deeply passionate about the project and its subject matter, sources from the film industry suggest he is exercising caution given the current geopolitical scenario.

Reportedly, Sunny has prioritise Border 2

According to insiders, Deol is concerned that the film’s message — rooted in the Partition era and involving themes related to India and Pakistan — may be misconstrued by certain groups in today’s sensitive climate. With rising tensions and incidents involving Pakistan targeting civilian areas, Deol fears that the narrative might be misinterpreted or politicized by vested interests, leading to unnecessary controversy.

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FeaturedMoviesNews

From Shah Rukh Khan to Diljit Dosanjh: Indian Icons Who Dominated the Met Gala 2025 Blue Carpet

by Ratan Srivastava
written by Ratan Srivastava

From Bollywood royalty to global icons, Met Gala 2025 was nothing short of a spectacle. Here’s a quick look at who wore what from Shah Rukh Khan’s majestic Sabyasachi debut to Diljit Dosanjh’s regal ode to Punjab.

-1. Shah Rukh Khan in Sabyasachi

The King Khan made his Met debut in a floor-length wool coat paired with a pleated satin kamarbandh.

His 18k gold Bengal Tiger Head Cane stole the spotlight. It was classic menswear meets maximalist magic. SRK’s look was nothing short of a cinematic masterpiece.

2. Diljit Dosanjh in Prabal Gurung

Diljit Dosanjh, the first Punjabi artist to debut at the Met Gala 2025, brought regal flair to the global stage, representing Punjab.Diljit brought Punjab to the global stage with regal flair. Inspired by the Maharaja of Patiala, his sherwani and cape featured lotus, peacocks, and Gurmukhi script. Jewelry inspired by royal archives added a dazzling finish. He redefined tradition with swagger and soul.

3. Kiara Advani in Gaurav Gupta

In her Met Gala debut moment, radiant and glowing, mom-to-be Kiara turned heads in a custom sculpted ensemble. The futuristic silhouette hugged her form with elegance and grace.Her look was ethereal, fluid, and utterly unforgettable. Gaurav Gupta once again proved his grand stage genius.

4. Priyanka Chopra in Balmain

Priyanka stunned in a structured Balmain creation. Bold shoulders, intricate detailing, and confident poise defined her look. It was power dressing at its finest. Once again, she owned the Met with effortless glam.

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BollywoodFeaturedMovies

Manoj Bajpayee likely to Play the Lead in Vipul Shah’s Political Thriller ‘Governor’

by Ratan Srivastava
written by Ratan Srivastava

National Award-winning actor Manoj Bajpayee is reportedly set to headline a gripping political thriller titled Governor, backed by filmmaker-producer Vipul Amrutlal Shah. The film, described as an intense yet commercially engaging theatrical drama, will see Bajpayee portray the titular role of a powerful governor caught in a web of politics, power, and moral dilemmas.

Vipul Shah, best known for directing hits like Aankhen (2002), Waqt: The Race Against Time (2005), and Namastey London (2007), will serve as producer, while direction has been handed over to Chinmay Mandlekar. Chinmay recently directed Bajpayee in Netflix India’s upcoming cop drama Inspector Zende.

Originally, Governor was to be helmed by Apoorv Singh Karki—who previously collaborated with Bajpayee on the acclaimed legal drama Sirf Ek Bandaa Kaafi Hai (2023).

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BollywoodExclusiveFeaturedMoviesNews

Industry Divide Hits Hard: Sanjay Dutt Gets Candid as His Film Competes with Raid 2

by Ratan Srivastava
written by Ratan Srivastava

Sanjay Dutt recently got candid while promoting his latest film, expressing disappointment over the unequal treatment it’s receiving compared to his dear friend Ajay Devgn’s Raid 2.

The actor, visibly emotional, remarked, “It’s sad that our industry has been divided. I had never seen something like this before. We were a family… Abhi thoda bhatak gaye hai.”

He pointed out that his film has received fewer screens and less publicity, adding, “Every film is important for the industry. Distributors and cinema owners should give all films a fair chance.”

Post Link: https://www.instagram.com/p/DJDzccwST6e/?igsh=MXF1ZGJ4a2F6M2xhdw==

On a hopeful note, he said, “The Bhootni ko itna zor nahin diya ja raha hai, lekin mujhe pata hai ki yeh picture bahut aage niklegi.”

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BollywoodFeaturedMoviesNews

Netizens Applaud Patralekhaa’s Powerful Portrayal of Savitribai Phule

by Ratan Srivastava
written by Ratan Srivastava

As Phule hits the big screen, audiences can’t stop talking about Patralekhaa’s stirring performance as Savitribai Phule. Twitter and Instagram are buzzing with appreciation for how she brings the iconic social reformer to life with grace, grit, and quiet intensity.

One user tweeted, “Patralekhaa did just phenomenal job in Phule.”
Another tweet read, “Patralekhaa Absolutely fascinating. Loved every bit of #Phule such a powerful story told so beautifully.”

Netizens are particularly moved by her subtle expressions and dignified strength, which beautifully capture Savitribai’s courage in the face of caste discrimination and patriarchy.
Another tweet read, “Patralekhaa steps into history with grace. As Savitribai Phule, she brings fire, dignity, and quiet revolution #Phule #Patralekhaa #SavitribaiPhule.”

Her chemistry with Pratik Gandhi is also being widely appreciated, a refreshing departure from typical on-screen romances.

While Pratik Gandhi’s performance continues to draw attention, it’s Patralekhaa who’s emerging as the heart of the film in the eyes of many. Her role has sparked conversations online not just about her acting chops, but also about Savitribai Phule’s powerful legacy.

One comment sums it up perfectly: “Patralekha amazing work in #phule, such an inspiring movie especially for little girls.More power to you.”

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BollywoodFeaturedMoviesReviews

Jewel Thief Movie Review: Not Even Saif Ali Khan and Jaideep Ahlawat Can Rescue This Sluggish Heist Thriller

by Ratan Srivastava
written by Ratan Srivastava

What could have been a mind-blowing heist thriller ends up being a 2-hour rat race going nowhere.

Movie Title: Jewel Thief: The Heist Begins

Cast: Saif Ali Khan, Jaideep Ahlawat, Nikita Dutta, Kunal Kapoor

Directors: Kookie Gulati & Robbie Grewal

Rating: 2/5 Stars

The Plot:

In this high-octane battle of wits and wills, con artist Rehan Roy executes a daring diamond heist while attempting to outsmart his sadistic adversary, Rajan Aulakh.

Movie Review:

Except for the teaser, nothing about this film hits the mark. The original Jewel Thief (1967) starring Dev Anand and Vyjayanthimala still keeps you at the edge of your seat. Unfortunately, the same cannot be said for this Netflix-backed rehashed titled thriller.

The Performances:

Jaideep Ahlawat as Rajan Aulakh feels like a (light version of Nawazuddin Siddiqui from Sacred Games or Munna Micheal). Saif Ali Khan’s Rehan Roy seems plucked from a Race sequel. Kunal Kapoor gives off Chacha Chaudhary vibes with his perfect guesses, yet somehow never catches Rehan. Nikita Dutta as Farah delivers a decent, no-nonsense performance.

The Technical Aspects:

It feels like Siddharth Anand handed over a template of Bang Bang, War, and Pathaan to the directors and said, ‘Just copy this.’ The result? Unoriginal shot angles and soulless execution. Cinematographer Jishnu Bhattacharjee appears restricted, and Shezan Shaikh’s score is forgettable, average in action, dull in drama.

Verdict:

With a hollow script and direction that goes in circles, this heist thriller sinks long before the credits roll and the Jaideep Ahalawat dance. There are far better thrillers out there, skip this one.

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FeaturedMoviesNews

Renowned south Composer Gopi Sundar says Sudheer Attavar’s film KORAGAJJA, allowed to invent new genre

by Ratan Srivastava
written by Ratan Srivastava

The competition to acquire rights from South-based audio companies has reached new heights, signaling a promising era for the music industry.

Interestingly, there is a competition for its audio rights, with top audio companies making offers that exceeded expectations, according to producer Trivikram Sapalya.

Shreya Ghoshal, Sunidhi Chauhan, Javed Ali …..many singers reached out to Gopi Sundar, eager to express their genuine enthusiasm for his extraordinary innovative composition.

Koragajja, directed by Sahitya Akademi Award-winner Sudheer Attavar under the banner of Trivikrama Cinemas & Success Films, explores the story of Koragajja, a principal deity worshipped in the Karavali (Tulu Nadu) region of Karnataka ,Kerala & few places of Mumbai, focusing on an indigenous youth’s transformation into the divine figure of Koragajja over 800 years ago. Composer Gopi Sundar, collaborating with Sudheer Attavar, calls the project a “unique musical experience”. He explains how the music goes beyond traditional compositions, saying, “Composing music for this movie required more time as I had to immerse myself in new traditions. The tunes I created came after understanding these customs, and I’m glad the director liked my work.”

Gopi Sundar further shares, “The subject of Koragajja allowed me to invent a new genre, exploring fresh musical territories. The film’s subtle layers go beyond regular movie formats, and composing for it was both challenging and rewarding.”

The film features six songs, composed in different styles and languages, with lyrics penned by Sudheer Attavar himself.

The film’s soundtrack features a powerhouse lineup of talented vocalists, including Shreya Ghoshal, Sunidhi Chauhan, Shankar Mahadevan, Javed Ali, Swaroop Khan, and Arman Malik, all of whom deliver captivating performances that showcase the innovative composition of Gopi Sundar. The result is a truly groundbreaking musical experience that pushes the boundaries of creativity and genre.

Many singers reached out to Gopi Sundar, eager to express their genuine enthusiasm for his extraordinarily innovative composition.

South composer Gopi Sundar praises Sudheer Attavar’s meticulous research for uncovering the story’s unique essence, revealing a narrative that breaks new ground and redefines the film story dynamic. The soundtrack features a track by Shankar Mahadevan that masterfully blends verses from the Shiva Tandava, infusing traditional elements with a fresh and exciting perspective.

Director reveals that film KORAGAJJA boasts a unique storyline distinct from film “Kantara”, highlighting the rich cultural heritage of Karnataka and Kerala, home to nearly 5000 Daivas, with ‘Kantara’ showcasing just one of these fascinating deities. Director Sudheer Attavar did research on this with the support of EP Mr Vidyadhar Shetty.

Gopi Sundar further shares, “The subject of Koragajja allowed me to invent a new genre, exploring fresh musical territories. The film’s subtle layers go beyond regular movie formats, and composing for it was both challenging and rewarding.”

Get ready to experience a cinematic masterpiece! This highly anticipated film after ‘Kantara’, set to release in multiple languages, boasts an incredible ensemble cast, including Kabir Bedi, renowned choreographers Sandip Soparrkar and Ganesh Acharya, South top actors Bhavya, Shruthi, and many more. With its exceptional technical crew, including cinematography by Manoj Pillai, editing by Jith Joshie and Vidhyadhar Shetty, sound designing by Bibin Dev, DI by continuous three-time Kerala state award-winning DI colourist, Liju Prabhakaran, VFX & Graphics by Lavan-Kushan, this film is poised to revolutionize the cinematic landscape and leave audiences inspired.

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MoviesNewsReviews

KESARI: CHAPTER 2 Movie Review- HARD-HITTING, ENGAGING & IMPACTFUL – BUT ONLY AT TIMES

by Ratan Srivastava
written by Ratan Srivastava

Plot:
Loosely based on the book The Case That Shook the Empire, Kesari: Chapter 2 chronicles the horrific Jallianwala Bagh massacre and the courtroom proceedings that followed, where revolutionary C. Sankaran Nair, along with Dilreet Gill, sued the Crown for genocide.

The Performances:
Akshay Kumar, after a long time, appears in his most sincere avatar – glimpses of which were slightly visible in Sky Force. Kesari: Chapter 2 can easily be counted among his best performances. R. Madhavan is decent – brilliant in terms of acting, but the writing doesn’t give him much to work with. Ananya Panday as Dilreet Gill is ‘decent’ at best. The British actors have no character whatsoever – they all sound the same, act the same, and emote the same in their broken Hindi accents (though the reverse racism is oddly entertaining at times).

The Technical Aspects:
Cinematography, art direction, and costumes are the heart of the film. Debojeet Ray captures intense moments with wide frames and telephoto lenses, enhancing the drama beautifully.

Writing & Direction:
Writer-director Karan Singh Tyagi clearly pours his heart into the film, but Kesari: Chapter 2 feels like a mixed bag. While individual scenes shine, the narrative lacks cohesion, leaving audiences emotionally detached — something Sardar Udham did exceptionally well.

Presentation:
Though the film gets many historical facts right, its conviction in presenting them falters. Character arcs and plot convenience take away from realism. Yet, the core message is so powerful that it overshadows these flaws.

Final Verdict:
In conclusion, Kesari: Chapter 2 transcends being ‘just a film’ – almost bulletproof to logical or critical scrutiny, simply because it tells a story that was long overdue to be brought to the big screen. Highly recommended!

Courtesy: Movified Bollywood

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