Courtesy: Sakshi Shah
Hailey Bieber is making headlines again — this time as the face of Vogue’s Summer 2025 issue. The model and entrepreneur stuns in a vibrant, sun-kissed photoshoot that perfectly captures the season’s spirit.
Hailey’s effortless glam, dewy skin, and chic ensembles make this one of Vogue’s most memorable covers this year. Her fresh, glowing vibe is what summer dreams are made of!
What if Hollywood’s biggest names swapped gowns for drapes? Our AI lookbook ventures into that fantasy, envisioning global superstars embracing India’s most iconic attire. Rihanna, for instance, shines in a pastel Banarasi saree, her urban edge softened by intricate gold brocade—proof that Bollywood Divas at Cannes aren’t the only ones who can carry a reel of silk.
Kylie and Kendall Jenner, long associated with sky-high heels and streetwear, are seen here in contrasting Kanjeevaram silks—Kylie in coral hues with temple motifs, Kendall in emerald green with temple-border grandeur. Their statuesque profiles transform, showcasing how Indian Celebrities at Cannes could look beyond the conventional.
Blake Lively’s signature Old Hollywood glamour finds new life in a silver hand-woven Chikankari saree, complete with delicate sequin work—a blend of East meets West that defines Cannes 2025 Style Icons. Selena Gomez’s soft pop persona translates beautifully into a lightweight georgette drape, her modern minimalism preserving the saree’s timeless silhouette.
Finally, Taylor Swift—accustomed to retro ball gowns—appears in a vibrant Patola print, each geometric pattern reflecting her fearless artistic reinventions. This reimagined gallery reminds us that the saree, like cinema, is endlessly adaptable—a fitting tribute to India at Cannes 2025, even in our imagination.
The character of Lord Ram holds a special place in Indian mythology and has been portrayed by several talented actors throughout the years. From epic films to iconic television shows, these actors have captivated audiences with their powerful performances. Let’s take a look at four notable portrayals of Lord Ram by Ram Charan, Gurmeet Choudhary, Arun Govil, and Prabhas which has left us a striking impact in audiences.
Arun Govil in Ramayan on DD channel
Arun Govil’s portrayal of Lord Ram in the iconic television series Ramayan remains etched in the hearts of millions. His portrayal showcased the virtues and values associated with Lord Ram, earning him widespread love.
Gurmeet Choudhary in Ramayan
Gurmeet Choudhary’s portrayal of Lord Ram in the popular television show Ramayan garnered immense love and adoration from viewers. His depiction of the noble and righteous character resonated deeply with the audience, making him a household name and a nationwide star. The actor who has now forayed into Bollywood and has starred in some superhit music videos till date is recognized for his role as Ram with a crazy fan following.
Ram Charan in RRR
Ram Charan’s portrayal of Lord Ram in the blockbuster film RRR showcased his versatility and acting prowess. His character was strong and impactful, keeping the audience’s attention throughout the movie. The film’s song “Naatu Naatu” even won an Oscar, further adding to their success of his.
Prabhas in Adipirush
Prabhas is all set to portray Lord Ram in the highly anticipated movie Adipurush. His captivating look and powerful on-screen persona have already generated immense excitement among fans. With Prabhas’ talent and dedication, his portrayal promises to be a remarkable interpretation of the beloved character.
Also Read: These performers controlled their Red Carpet moment during their Cannes debut, which we loved
Cast: Tom Cruise, Val Kilmer, Miles Teller, Jennifer Connelly, Bashir Salahuddin, Jon Hamm, Charles Parnell, Monic Barbaro, Lewis Pullman, Jay Ellis and Glen Powell
Rating: 4 out of 5 stars
Director: Joseph Kosinski
Movie Review:
Top Gun – Maverick’s creators aim high and fly low. The strategy is effective. It assures that they don’t miss the objective they’ve set for themselves, as well as the return of main actor Tom Cruise to the cockpit after a 36-year absence.
Since 1986’s Top Gun, which provided Cruise with one of his first big blockbusters as an actor, a lot has happened. Given the charisma the actor radiates and the fact that the picture arrives at the conclusion of two traumatic years for the entire world, this one, too, has the potential to be a hit.
The sequel, directed by Joseph Kosinski and written by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, doesn’t quite “turn and burn” like the film’s training pilots, but it does manage to whizz about in style, effectiveness, and, most importantly, entertainment.
Tom Cruise, who is approaching 60 years old in real life, plays Pete “Maverick” Mitchell, a navy aviator who has refused to accept a promotion in order to avoid being taken out of active duty. Top Gun – Maverick captures part of the protagonist’s I’ll-hang-in-there-no-matter-what bravado. Although the emotional stakes are at the heart of the tale – for whatever it’s worth – it remains on track and avoids needless diversions.
The story unfolds on numerous levels. The main one concerns Maverick’s tumultuous connection with the elite pilots who have been called from their squadrons to be prepared for a mission that will test them to their limits. If they have any admiration for their hesitant instructor, it is grudging.
Pete Mitchell’s ability to entice them out of their crusty shells and carry them along as they launch an attack on a rogue mountain country that is surreptitiously refining uranium in a difficult-to-access gorge. The mission carries a high level of danger. Maverick is well aware that this may be his final mission.
Kosinski, who helmed Tom Cruise in Oblivion, takes the Top Gun heritage seriously and places the actor at the centre of it all, with little regard for the storyline. He regularly puts on a show with his aerial skills.
The show’s star, no longer the sprightly young man he was in the mid-1980s, is acutely aware of the passing years and infuses the passage of time and its influence into the character’s personality as well as the physical elements of the performance.
Tom Cruise takes us back to a simpler time in Top Gun – Maverick, when he could make wearing aviator sunglasses feel like a cultural breakthrough and getting into a cockpit feel like an act designed to distinguish the men from the boys. Keep an eye on the film’s history. It’s full of references to the original Top Gun.
The picture flies boldly and sturdily to present a crackling terrific mainstream cinema experience, not that what it delivers is trapped in a bygone period.
Also Read: All that you must know about the Tom Cruise movies
Alia Bhatt is without a doubt one of Bollywood’s most brilliant, versatile, and well-liked actresses of her generation. She is now enjoying the success of Gangubai Kathiawadi, her most recent film. Alia admirers will be happy to learn that she is planning to expand her wings even further and make her big Hollywood debut. If that wasn’t enough, she’ll be making her Hollywood debut with Gal Gadot and Jamie Dornan in Netflix and Skydance’s international spy thriller Heart Of Stone.
Taran Adarsh, a well-known Bollywood film critic, rushed to Twitter to inform his fans and followers of the news. He added in his tweet, “ALIA BHATT MAKES HER HOLLYWOOD DEBUT: JOINS GAL GADOT IN NETFLIX FILM… #AliaBhatt makes her global debut, joining #GalGadot in #Netflix’s international spy thriller #HeartOfStone… #TomHarper is directing the pic.”
According to Deadline, Tom Harper is directing the picture, which was written by Greg Rucka and Allison Schroeder. David Ellison, Dana Goldberg, and Don Granger of Skydance, as well as Bonnie Curtis and Julie Lynn of Mockingbird and Gadot and Jaron Varsano of Pilot Wave, are producing. According to reports, the storyline specifics have been kept under wraps until now.
This is a significant step forward for Alia Bhatt in terms of worldwide cinema. Meanwhile, on the job front, Alia just completed the Delhi shoot for her forthcoming flick Rocky Aur Rani Ki Prem Kahani. After an almost 6-year break, Karan Johar will helm this picture, with Ranveer Singh appearing alongside her.
Also Read: Kareena Kapoor Khan and Alia Bhatt are two actresses who Ananya Panday admires
If you’ve ever wondered how the birthplace of Hollywood American film earned its name, you’ve probably heard a multitude of theories, each claiming to represent the truth. We’re here to help you cut through the rumours and get to the bottom of how such a storied name came to be.
H. J. Whitley negotiated to purchase 500 acres of what is today known as Hollywood once upon a time. Whitley was already a renowned landowner, having founded a number of western communities, and he is now recognised as the ‘Father of Hollywood.’ Harvey H. Wilcox later created the term ‘Hollywood’ when he filed it on the land’s deed in 1887.
Things tend to get a little foggy in the period in between two incidents. One of the most widely circulated theories today would be that the name was chosen to reflect the city’s conspicuous presence of a magnificent, holly-like shrub. The plant was what became known as Christmas holly, and it grew wild in the Santa Monica Mountains as well as surrounding places. According to legend, Whitley was inspired by the holly therefore proposed name the town ‘Hollywood.’ His 500 acres were purchased from E. C. Hurd, who was married to the woman who was acquaintances with Daeida Wilcox, Harvey H. Wilcox’s wife, as well as the name allegedly went down the line until Wilcox himself.
According to another version of the tale, Whitley has nothing to with its name, and Daeida Wilcox got it from her friend Ivar Weid, who resided in ‘Holly Canyon’ at the time, and gave it to her husband. Another account tells that Daeida met a stranger on such a train who lived inside an Illinois mansion known as ‘Hollywood,’ and that’s how she came up with the name. Nevertheless, there is next to no proof that any of these myths is correct about the name’s origins.
Also Read: How do I find out if Jimmy Page from Hollywood Calif is alive?
The cast of War, which includes Hrithik Roshan, Tiger Shroff, as well as Vaani Kapoor, celebrated Gandhi Jayanti in October. It fared rather well at the movie office, grossing more than 300 crores. Many people are unaware, however, of how the movie’s primary elements were ripped off from a Hollywood blockbuster.
Without even bothering to think about the title, the movie’s creators opted to borrow elements from such a Hollywood action picture titled War. There are minor spoilers ahead; nonetheless, you will not be harmed in any way because the action moments are what count.
Tiger Shroff’s character in the Bollywood film is shown doing something with plastic surgery. Even the twist was taken straight from such a Hollywood film, using the same viewpoint. If we go by the standard Hollywood action pictures, Hrithik Roshan’s character goes rogue inside the movie, and that this aspect is prevalent in them, it would have been okay.
However, even Hollywood’s War shares the same viewpoint, making the Bollywood one much more chaotic.
This is a flagrant waste of skilled writers in the industry because many of them are capable of producing fresh content for a film of this size. A major production business like Yash Raj Films should keep an eye on these things and prohibit its filmmakers from plagiarising.
On Gandhi Jayanti’s 5-day extended holiday on October 2, 2019, War, a movie with a budget of Rupees 1.70 billion (US$23 million), opened in conventional, 4DX, and MX4D theatres throughout the world. It received relatively positive reviews from reviewers and audiences, with praise for Roshan and Shroff’s performances, visual effects, action sequences, and the song “Jai Jai Shivshankar.” However, the writing and lack of inventiveness were criticised heavily.
In 2019, Aditya Chopra’s Yash Raj Films released War, a Hindi-language action thriller movie directed by Siddharth Anand as well as produced by him. In addition to Hrithik Roshan and Tiger Shroff, the cast also includes Vaani Kapoor, Ashutosh Rana, Anupriya Goenka, and Soni Razdan.
Brendan Fraser is indeed an actor who was born in the United States and raised in Canada. He starred in several comedic and fantasy movies, notably Airheads (1994), Dudley Do-Right (1999), Monkeybone (2001), Inkheart, and Furry Vengeance, and played Rick O’Connell in The Mummy trilogy (2010). Fraser made his dramatic film debut in 1995 with parts in The Passion of Darkly Noon, Mrs Winterbourne, Journey to the End of the Night (2006), as well as Gimme Shelter (2013). Fraser had minor appearances inside the History miniseries Texas Rising (2015), the Showtime drama series The Affair, the FX anthology series Trust (2018), such that DC Universe / HBO Max action series Doom Patrol after a sabbatical from movie acting.
Fraser made his cinematic debut in Dogfight in 1991, playing a sailor heading to Vietnam. Inside the 1992 comedy picture Encino Man, he portrayed a frozen prehistoric caveman, and it was his first major role.
The movie was a moderate box office hit and is now regarded as a cult classic. In the same year, he co-starred in School Ties alongside Matt Damon and Chris O’Donnell. In 1994, he starred alongside Adam Sandler and Steve Buscemi in The Scout and Montgomery “Monty” Kessler in With Honors, as well as co-starring in Airheads with Adam Sandler and Steve Buscemi. He went on to feature in movies including Philip Ridley’s The Passion of Darkly Noon (1995) and The Twilight of the Golds (1999). He also appeared in the film Now and Then, in which he played a minor role.
His first significant box office triumph came in 1997 with the comedic feature George of the Jungle, which was based on Jay Ward’s animated series of the same name. The adventure fantasy picture The Mummy (1999) and its sequel The Mummy Returns were his biggest commercial successes.
Jennifer Lopez, better known by her stage name J.Lo, is indeed a singer, actress, and dancer from the United States. Lopez debuted as just a Fly Girl dancer on In Living Color in 1991 and was a regular until 1993 when she chose to pursue an acting career. Lopez became the first Latin actress to earn over $1 million for a movie for her first main part in the 1997 Selena biopic of the same name. She went on to appear in films like Anaconda (1997) and Out of Sight (1998), establishing herself as Hollywood’s highest-paid Latin actress.
Lopez debuted inside the music business with her debut studio album On the 6 (1999), which helped to launch the Latin pop genre inside the United States, and went on to appear within psychological horror film The Cell (2000).
Jennifer Lopez has become the first woman to also have a number-one album as well as a movie within a week of each well with the release of her second studio album J.Lo as well as the romantic comedy The Wedding Planner in 2001. J to the L–O! The Remixes, released in 2002, was the first remix album to debut there at top of the US Billboard 200. She released her third studio album, This Is Me… Then, later in the year and appeared inside the movie Maid in Manhattan.
After appearing in the critically and commercially unsuccessful film Gigli (2003), Lopez went on to star within romantic comedy Shall We Dance? (2004) as well as Monster-in-Law. Como Ama Una Mujer (2007), her fifth studio album, had the biggest first-week sales of any debut Spanish album inside the United States.
She appeared inside the police drama series Shades of Blue from 2016 to 2018 and also had a residency performance at Planet Hollywood Las Vegas called Jennifer Lopez: All I Have. Lopez also produced as well as judged World of Dance from 2017 to 2020. Her portrayal as a stripper inside the crime thriller Hustlers earned her great acclaim in 2019.
Lopez is indeed a pop culture figure who is frequently referred to become a triple threat performer. Lopez is widely recognised as being the most prominent Latin artist in North America, with such a total movie gross of US$3.1 billion as well as projected global record sales of 70 million albums. Forbes listed her as the world’s most powerful celebrity in 2012, as well as the world’s 38th most powerful woman. In 2018, Time named her one of the world’s top 100 most influential people.
Post Malone’s third studio album, Hollywood Bleeding, is his third studio album. Republic Records published it all on September 6, 2019. DaBaby, Future, Halsey, Meek Mill, Lil Baby, Ozzy Osbourne, Travis Scott, SZA, Swae Lee, as well as Young Thug all make cameos on the album. Andrew Watt, BloodPop, Brian Lee, Carter Lang, DJ Dahi, Emile Haynie, Frank Dukes, as well as Malone himself are amongst the producers.
Bleeding in Hollywood garnered mostly good reviews as well as debuted at number one on the Billboard 200 in the United States. The album was accompanied by six singles: “Wow,” “Goodbyes,” “Circles,” “Enemies,” “Allergic,” and “Take What You Want.” It was Malone’s second number-one album in the United States.
The first three songs charted at number two, three, and one, respectively, about the Us Billboard Hot 100. The album also features “Sunflower,” a duet with American rapper Swae Lee as from Spider-Man: Into the Spider-Verse soundtrack, which reached number one upon that Billboard Hot 100. At the Grammy Awards in 2021, this was nominated for Album of the Year.
Malone was rumoured to be working upon his third studio album on June 5, 2018, six weeks following the release of his second studio album Beerbongs & Bentleys. Malone announced in November that he had been “trying to put out a new body of material” by the close of the year, although he only released the song “Wow” during that time period.
Malone said on July 28, 2019, that he has completed recording his upcoming third studio album, which he described as “pretty goddamn out of sight.”
The album’s debut song, “Wow,” was released that day following Christmas on December 24, 2018. Louis Bell as well as Frank Dukes produced the song. It reached number two here on Billboard Hot 100 in the United States.
On July 5, 2019, the album’s second single, “Goodbyes,” features Young Thug, was released, one day since Malone’s birthday. Brian Lee as well as Louis Bell produced the track. On the Billboard Hot 100, it reached number three.