Himesh Reshammiya’s 10,000-song habit: 7 tracks in 2 hours
Himesh Reshammiya reveals the daily composing rule and 10,000-song bank behind classic soundtracks like Dulhan Hum Le Jayenge and Humraaz.

Himesh Reshammiya’s secret weapon isn’t a studio gadget or a vocal effect. It’s a habit. In a conversation with Komal Nahta, the composer opened up about the daily system that produced some of Bollywood’s most recognisable romantic scores.
Seven songs, two hours
When David Dhawan brought him Dulhan Hum Le Jayenge, the brief didn’t turn into a long workshop. Himesh said, “I have ready songs in my bank.” The team locked seven tracks for the film in about two hours. Asked to elaborate, he said he could have offered 40 more songs, but that would only create confusion.
One sitting shaped Humraaz
The same reserve library powered Humraaz. “In just one sitting, we finalized each and every song of Humraaz with Abbas bhai and Mustan bhai,” he recalled. His logic was simple: the songs gave the directors the world and emotional setting of the film before a single scene was shot.
The rule his father set
Behind that speed is a non-negotiable routine. Himesh’s father Vipin Reshammiya taught him that every day at least one song must be made. “Everyday, ek gaana toh banna hi hain,” Himesh recalled in the chat. Most mornings begin with a call to his lyric writer; as soon as a tune appears, he records it, then shares it with his sample group and collaborator. On productive days, that number stretches to 3, 5, 8 or even 10 songs.
The compounding is staggering. Here’s what the system has given him:
- 7 songs for Dulhan Hum Le Jayenge locked in two hours.
- All songs of Humraaz finalised in one sitting.
- A discography and reserve bank of 10,000 songs.
- Songs written decades earlier still finding placements later.
Old songs, fresh arrangement
The value of the bank became clear with Sanam Teri Kasam. Its songs were composed in the 1990s, long before the film’s music sittings in 2014. The 2016 soundtrack didn’t feel dated because the arrangement was modernised. Himesh credits the blend of older musicians and newer collaborators for keeping that archive alive.
What creators can borrow
For our readers who also make music, write scripts or create content, the real story is the workflow. Don’t wait for a blank page on assignment day. Build something daily, store it, and treat old work as raw material that can be re-arranged for a new context. Himesh’s 10,000-song bank is less a flex and more a demonstration of what a simple daily rule compounds into over a career.
Source: bollywoodHungama.com
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