Diljit Dosanjh Answers Satluj Row After 127-Cut Fight
At his Aura India Tour opener in Delhi, Diljit Dosanjh addressed the Satluj certification battle and told fans not to teach Punjabis how to fight.

Diljit Dosanjh used the opening night of his Aura India Tour 2026 in New Delhi to address the controversy around Satluj. He did not announce a new release. Instead, he drew a public line in front of fans.
Diljit draws a line on stage
Speaking from the stage, Diljit told the audience he had stayed quiet and planned to keep it that way, but added a firm caution: “Don’t teach Punjabis how to fight.”
He then linked the conversation to the film itself, saying the team had fought for Jaswant Singh Khalra’s film for a long time. “If someone hates us, it’s okay. But I love all of you,” he added.
Why Satluj has been so hard to release
Directed by Honey Trehan, Satluj is a biographical drama about human rights activist Jaswant Singh Khalra. It examines Khalra’s investigation into the alleged secret cremation of thousands of unidentified bodies in Punjab during the early 1990s. Khalra was abducted in September 1995 and killed, with his body disposed of in the Sutlej River.
The film’s journey has been full of stops:
- It was first titled Ghallughara, then Punjab ‘95, before arriving as Satluj.
- The CBFC initially sought 21 cuts and a title change; after review, the proposed edits reportedly rose to 127.
- The makers refused to release a heavily edited version, and planned theatrical dates were repeatedly pushed back.
- In July 2026, the film appeared on ZEE5 but was removed in India within 48 hours following directions from the Ministry of Information and Broadcasting.
What this means for fans
Diljit’s remarks turn the tour stage into something more than a performance. They are a direct signal of support for a project that has been defined by delays and regulatory pushback. For fans, it is a rare moment of the actor speaking plainly after months of headlines about cuts and a pulled streaming release.
The concert moment also matters because it reframes the conversation. Instead of only reacting to the CBFC process, Diljit put the focus back on Khalra’s story and the team’s long effort to bring it to audiences. That reframing gives fans a clearer sense of why the filmmakers have refused to accept a heavily edited version.
The statement also had a clear boundary: he asked people not to mock the film, but he did not announce a new theatrical run or a streaming plan. Until an official update arrives, the film’s availability in India remains unchanged following the July removal.
Source: Bollywood Hungama
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