SS Rajamouli Building a Fictional Language for Varanasi: Reports
Reports say SS Rajamouli is crafting a second invented language for Varanasi, with Kiliki collaborator Madhan Karky said to be on board.

SS Rajamouli is reportedly doing something only a handful of filmmakers have attempted: building a complete fictional language for his ambitious feature Varanasi.
If the reports are confirmed, this would be his second invented tongue. Baahubali introduced audiences to Kiliki, created with linguist and lyricist Madhan Karky. Karky is said to be working with Rajamouli again to shape a distinct vocabulary, grammar and linguistic identity for the new film.
Why a new language?
According to reports, the language is being designed for an ancient, isolated tribe that plays a key role in the story. It fits Rajamouli’s emphasis on authenticity and immersive storytelling. Varanasi is expected to blend history, mythology and adventure, moving across different eras and geographies while rooted in the sacred city.
That approach has strong global precedent:
- Avatar (2009): James Cameron commissioned linguists to create the Na’vi language.
- Star Trek: Klingon became a fan language in its own right.
- Game of Thrones: Dothraki and High Valyrian made cultures feel lived-in.
- Arrival (2016): Heptapod B turned language into the plot itself.
Rajamouli’s decision, if it moves forward, would place Varanasi in that tradition — where language is not decorative but central to storytelling.
The larger Varanasi picture
The project is already making news for scale. Reports suggest Varanasi will be the first non-English feature film to shoot extensively in the full 1.43:1 IMAX aspect ratio. International locations are expected to span Africa, Antarctica, Europe and ancient India. Co-starring Priyanka Chopra Jonas and Prithviraj Sukumaran, the film is reportedly being planned for a simultaneous release in over 120 countries, with a dedicated international version featuring English subtitles.
For fans who came to Indian cinema through RRR, the invented language is another signal that Varanasi is being designed as a true global tentpole. Rajamouli has rarely chosen the safe route — from the unconventional revenge drama Eega to the epic swings of Baahubali and RRR.
What this means for audiences
A fictional language can sound like a small detail, but it changes how a film is experienced. It gives a community its own voice, turns dialogue into texture, and gives fans something to decode long after the credits roll. If Varanasi delivers, its invented tongue could become Indian cinema’s Klingon moment.
Source: Filmfare
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